Spoken Word and Progressive Politics — Call for Videos

7 02 2010

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I recently started a project with The Progressive (the main publication for the late, great Howard Zinn) to highlight the role of spoken word artists in pushing political conversations. Each week, we are going to feature a different poem / Each week, we are going to feature a different video of a poem/performance/song that can help “broaden and rewrite the American narrative.” A piece that can push the boundaries, widen the conversation, move people to fucking DO something. Or at least think about something in a new way.

So……what are some of your favorite political poems? By “political” I mean the broadest sense of the word — about self, struggle, community, love and liberation. And by “favorites”…that can mean YOU. Send your own pieces too! No fake humility needed here.

There’s no cash compensation, just that your piece will be seen before hundreds or thousands of people across the world wide webs. If you want to reach a wide and politically-engaged audience, here you go.

We’re looking for videos of poems, songs, monologues, stand-up bits, etc. that are:

* Artistically on point –> Don’t bring the wackness.
* Politically provocative –> Something that that pushes towards change on a personal/community/global issue.
* High quality video –> it doesn’t have to be Def Poetry (although it can be), but something better than off a cell phone. Needs to have good audio and be available online: Youtube, Vimeo, etc.

Some of the videos we have already lined up are from: Andrea Gibson, Denizen Kane, Invincible, Sarah Jones, El Guante, Rebel Diaz, and Nate Marshall. Click here for the full call:

http://progressive.org/node/139205

So, if you’ve got a great video (or 2 or 3) of you and/or some folks you like, just send me the link and any other info (i.e., bio) to me here or at jghealey@gmail.com.

And YES, If you have a piece about Sarah Palin as a polar-ice-cap-melting-pirate (like the recent Progressive cover above)…you win extra bonus points and my unending jealousy that you wrote it first.

In the meantime, here’s the piece we’re started the series off with, from the one and only Suheir Hammad.





Good Morning 25

30 01 2010

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I’m not what you’d normally call a morning person. I’m barely an afternoon person, but here I am, up with the fog. The sun is barely making an appearance, but it’s still warm enough for shorts and a hoodie. It’s just me, a slow-ass jogger who I swear hasn’t moved in ten minutes, and an older man sitting on the other bench closer to the lake.

The older man is wearing a trench coat, like the kind college students wear before they go streaking though the library during finals week. Which is exactly what me and my freshman roommate Alan Ziedler did, except underneath our coats we were wore matching bright red Speedos. Across the front, Alan’s swimsuit read “You.” Mine read “Wish.” Young men — we are a humble species.

Freshman year – that was almost seven years ago. It’s been three years since I graduated, one since I moved out here, and six weeks since I started sneaking out of bed in the morning to come here. I kiss my girlfriend on the left cheek before I leave, and on the right one when I come back in. I’m sure she knows, but as long as I’m back before breakfast, she pretends not to notice.

Today is the morning of my 25th birthday. Before I go out with my girlfriend and the small cast of friends I have out here to celebrate or mourn, I sit. On this old, wooden bench at the corner of Lakeshore and Foothill, looking out at Lake Merritt in all its majestic, odorous glory.

Most days, it’s quiet. Which is why I come. Most of my life is noise – bosses, students, BART tracks, street addicts, TV addicts, the voices in my head the loudest of them all. As a principle, I don’t mind volume. In my poetry classes, I teach Piñero more than Thoreau. Scatter my ashes through the city, but it’s true: the forest is nice every now and then. Like the lake.

Originally a pine-tree green, the bench I’m sitting on has faded to a deep brown bark. Turning around, I see that right behind where I was sitting, someone had scratched several words into the wood. Surprised I hadn’t seen it before. Maybe I was busy trying to avoid Mr. Trenchcoat, who I notice is now watching me closely. As much to avert his eyes as my own curiosity, I read the words on the bench:

R.I.P. Josue
I got you.

Whoa.

I came here two days ago, and I don’t remember this memorial being here. Who’s Josue? I wonder how old he was, and what did he do for his last birthday. And what happened to make it his last.

But it’s that second line that really gets me. I got you. What the fuck does that mean? Was it written by a friend, who promised to take care of Josue’s family? Or that the friend will get back at the killers? Or worst, that whoever wrote it was the killer themself, like “Haha, I got you, bitch.” I look closer at the lettering, but can’t decipher any emotion one way or another in the wood.

‘Josue.’ I remember the first time I heard that name. When I started taking Spanish in seventh grade, my teacher Mr. House (or as we called him, Señor Casa) called me Josue. I liked it. It sounded more exciting than ‘Josh,’ more real than ‘Yehoshua.’ I was learning Hebrew at the same time for my Bar Mitzvah, but this was America. Talking shit with the Salvadorans down the block was more important than mastering my Torah portion.

But accents have always come with a price. Every “ñ” is a bullet hole for a norteño caught in the wrong neighborhood, the wrong country. Assimilation has its own price, but at least you live long enough to calculate the cost. Right?

I turn around again. The lake and then downtown sit in front of me like the rest of life, glimmering with possibility. Behind me is East Oakland, Church’s Chicken, Josue’s grave. I sit on the wood bench, the meeting place of life and death. The fog is beginning to lift. I can see San Francisco in the distance, taunting me with her skyscrapers that I need to put food on the table.

As I stand up to leave, the old man in the trench coat walks towards me. Picking up my pace, I nod an uncertain Morning… in his direction and try to keep moving.

“Hey, do you want to see something?” he asks me quietly without waiting for an answer. “I want to show you something.”

He starts to untie his coat. Scared he’s going to show me the one thing I don’t want to see, I try to walk away. “No, I’m cool, I’m cool…”

“Wait a sec, son” he says, grabbing my arm. “I don’t have no guns or nothing. I just want to show you this.”

He undoes his coat, and I breathe a sigh of relief when I see he is fully clothed. He’s wearing a nice suit in fact, not old but a classic vintage. From his inside pocket, he pulls out a Swiss army knife.

“It was my son’s,” he says, pulling out the corkscrew and twirling the red knife. “He’d be about your age. He wanted to be a stand-up comedian. He would have made it too, until…” his voice trails off, looking at the etching on the bench where I’d been sitting.

“I saw you looking at it earlier,” he continues after taking a breath. “You look like a good kid — I know you’re not a kid, but at my age, I see everyone under 30 as young.

“I saw you looking at his name on the bench. I wanted to tell you his full name: Josue Luis de los Reyes. Now you know. So when you come back here the next time, and you see where it says, ‘I got you,’ that means you too. You carry him forward. Can you do that for me?”

He looks at me like he sees something I don’t, and I try to see it for myself. His eyes are strong and brown like an oak tree. Or a coffin. “Yeah, I can do that,” I say.

It’s as honest as I can be. I’m not sure what he really wants me to do, and I don’t think he knows either, but both of us are glad to have agreed on a plan for now.

“Thank you,” he says, shaking my hand with the love and power that only an older man can. “Hope to see you again sometime. Be safe, son.”

He puts the knife back in his pocket, ties up his coat, and walks away along the lake. I take a breath and think about the wish I’ll be making later in the day. Seeing the sun now full and rising quickly over the hills, I walk home to let my girlfriend wake me up and wish me a happy birthday.





Thinking of Haiti, Remembering New Orleans

20 01 2010

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Forget what Pat Robertson said. Forget what the Red Cross is or isn’t doing. Forget Wyclef, and why we have heard more from him than the actual prime minister of Haiti.

Forget all that for a moment.

And remember New Orleans. Remember Katrina. Remember thousands of people, mostly poor, mostly black, who were abandoned by their government in the wake of an unimaginable natural disaster. Made worse by manmade disasters. By the Superdome. By the media referring to fathers trying to get food for their hungry children as ‘violent looters.’ By corporations and their bought-off politicians using the hurricane as a ‘great opportunity’ to destroy New Orleans’ public housing, privatize its schools, and turn the city into a playpen for the rich that is about to elect its first white mayor since the 1970s.

The destruction in Haiti is beyond words. The earth quaked, and just like that, hundreds of thousands were gone. As our hearts, our prayers, and our donations to go the relief effort, let us remember the past, and ask: what does relief really look like? Does it look like U.S. Marines handing out water bottles while pointing their rifles at the crowd? Or does it look like reparations, like the kind Haiti was forced to pay to France after their successful revolution against the colonial power?

Yes, Haiti was forced to pay France after winning their freedom. The equivalent of what is now billions of dollars. And that debt was enforced until the 1930s by, you guessed it, the U.S. Marines.

I send my prayers to the people of Haiti, and I extend my support and my dollars to these progressive aid organizations:

* Grassroots International: http://www.grassrootsonline.org
* Doctors Without Borders: http://doctorswithoutborders.org
* Partners in Health: http://www.standwithhaiti.org

No to the IMF, no to a U.S. occupation! Yes to reparations and real relief for the people of Haiti!

And the people of New Orleans.





Fuck Twitter.

12 01 2010

When it comes to the newest technologies, I’ve always been one to three years behind the curve. Digital cameras? I rocked my old Polaroid till my cousin decided to use it as a doorstop – and it didn’t stop the door. Cell phones? I think I was the last college kid in America who still used a land line…and I shared it with 35 other people (oh, the glories of Assata Shakur Co-op). Twitter? I’d rather shoot myself in the face then tweet about what I’m wearing to the freaking Warriors game.

I’m not a total Luddite, but all this techno nonsense makes me feel like we’re more connected to our keyboards and less to each other. What’s that you say? I’m not a Luddite, just an asshole who doesn’t want to follow your incoherent, sounds-like-a-four-year-old-orangutan-except-an-orangutan-would-might-have-more-interesting-things-to-say posts on Twitter?

You got me.

But eventually, I crack too. Modern capitalism always seems to find its way into my utopian dreams, and somehow I too am on Facebook. And Myspace. And this blogosphere thing right here. A plane can be used to drop bombs — or bring together the World Social Forum. Everything has its own context. Yes.

Still, there comes a point when it’s all too far. Don’t believe me? Check the video below, and tell me what you think about Flutter. It’s a satire here, but just wait till it actually happens.

…and I’ll see you on Twitter in about, hmm, two years.





Gone but Not Forgotten: Justice for Oscar Grant

30 12 2009

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It was my first New Year’s since I moved to the Bay. A nice, quiet one: Esther and I played watched movies, drank wine, and maybe stayed up till 12:30am. Maybe.

Not till the next morning did I hear the news: a BART policeman had shot and killed an unarmed black man at the Fruitvale station in the early hours of the morning. And there was video to prove it.

The man’s name, we all shortly learned, was Oscar Grant.

In the weeks that followed, I joined the protests against the police violence (let’s call it what it was: state-sanctioned murder), the BART Board’s attempted cover-up, and the fact that Oscar Grant’s family had to joined the ranks of those mourning another young black man taken from them.

I was at both the protests that turned into ‘riots‘ in downtown Oakland. I didn’t see everything, and I personally think breaking a couple windows doesn’t do much (good or bad), it is true that Johannes Mehserle, the killer cop, was only arrested after the first big demonstration and in fear of the second.

There was weeks, months of organizing: vigils, rallies, meetings, new coalitions formed. And then…most of it fizzled. Whether the established, non-profit activists couldn’t handle the influx of so many new, unaffiliated activists, all I know is that I stopped received email alerts and calls to action.

Mehserle is now on trial for murder, but the trial has been taken out of Alameda County, based on some blatantly racist reasoning. It’ll be down in Los Angeles, and I can only hope that the verdict will come down, and he will be the first cop convicted of first-degree murder in decades.

Actually, I can do more than hope. I can re-join the movement. So can you. Let’s start 2010 off right, my friends. I’ll be at Fruitvale on New Year’s Day for the vigil and rally. See you there.

For joy & justice in 2010…

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Come celebrate the life of Oscar Grant, and demand justice in the New Year to come!

New Year’s Day, 2010:

2-4pm: Family Vigil
Fruitvale BART

4-5pm: Rally for Justice
Fruitvale BART

6-11pm: Cultural Event & Community Gathering – featuring Ise Lyfe, Boots Riley, and More – Humanist Hall (390 27th Street, between Broadway and Telegraph)

Come to celebrate, mourn, and strategize!

All Ages / No alcohol / Wheelchair Accessible / FREE EVENT – Donations Encouraged

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